Paths of Villaronga The Cultural Wealth of the Paraíba Valley Gains a New Chapter with the Launch of the Illustrated Tourist Guide Project by the Instituto Aupaba, supported by the Government of Catalonia, launched on November 4 at the Cazuza Cultural Center, in Vassouras Download your free e-book here! From Catalonia to the […]
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Sustainable Tourism and Regenerative Tourism: The Evolution of a New Consciousness in Brazil In recent years, tourism has undergone a profound transformation, aligning itself with values of environmental preservation and respect for local cultures. In this context, two concepts have emerged as pillars of this evolution: sustainable tourism and regenerative tourism. Although both share
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Social Responsibility and Positive Impact Social responsibility is often discussed as a practice aimed at reducing the negative impacts of human activities on the environment and communities. However, when viewed through the lens of regenerative experiences, it expands beyond damage mitigation. The concept of regeneration seeks not only to preserve what remains but to restore
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Governance of Instituto Aupaba Instituto Aupaba Officially Presents Its Governance Instituto Aupaba, a nonprofit organization, recently celebrated its first anniversary and with it, the inauguration of its Strategic Council. Under the leadership of Luciana De Lamare, co-founder and president, the institute stands out for its commitment to sustainable practices and innovative projects in regenerative
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Connecting Regenerative Tourism to Food Regenerative tourism emerges as a transformative force, not only in the visitor experience but also in local sustainability. We want to emphasize how regenerative tourism and food are intrinsically connected, highlighting the crucial importance of bioeconomy and forest preservation as essential elements for the success of a sustainable local economy.
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Who was Villaronga? Jose Maria de Villaronga y Panella was a versatile Catalan artist, born in Barcelona in 1819. He immigrated to Brazil between 1842 and 1846, seeking opportunities in the flourishing field of decorative mural painting. His career extended beyond Rio de Janeiro, reaching significant urban centers in the “Serra Acima” region, encompassing the
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